It has been argued that science fiction’s imaginary worlds can each be situated somewhere on the continuum between the opposing poles of utopia and dystopia

TOPIC: It has been argued that science fiction’s imaginary worlds can each be situated somewhere on the continuum
between the opposing poles of utopia and dystopia. Consider how several stories suggest futures that
will be better in some ways and/or worse in some ways, than the œreal world that produced them. What do the
features of these various futures suggest about the historical contexts that produced them?

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